At the risk of being dubbed eccentric, Judith describes her emergence as an artist as a “Tsunami of the Soul”. Her life as a sculptor began while rummaging around antique barns where she found herself mysteriously drawn to the sculptural beauty and patina of discarded rusty metal. Secretive about the origins of the various elements of her work, she swears that these found objects tell her what they want to be. Inspired by her fascination with Carl Jung’s archetypal shadow work, what emerges are captivating works whose beauty is illuminated and intensified by shadows.